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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

BWV244 O Haupt Voll Blut Und Wunden

doctorandrewtam

0:53	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano amp; Alto		11	0	1	4	100%
Tenor amp; Bass		16	0	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano amp; Alto		11	0	1	4	100%
Tenor amp; Bass		16	0	2	4	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
Alto Recorder I		12	0	2	5	100%
Alto Recorder II		13	0	3	5	100%
Bass Recorder		13	0	2	4	100%
Bassoon		16	0	3	2	100%
Tenor Recorder		11	0	1	4	100%
Violoncello		16	0	3	2	100%

Ach Gott und Herr BWV692恩主保佑（馬拉巴禮拜歌）

doctorandrewtam

1:06	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		14	0	1	4	100%
Contrabass		9	0	1	3	50%

8. Der lieben Sonne Licht und Pracht, Schemelli, Bach, choir setting: SATB, BWV 446.

SDG

0:59	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		15	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		15	0	2	3	100%

Bach JS Weihnachtsoratorium bwv248 17 Schaut hin! dort liegt im finstern Stall (choral)

Haricophile

0:32	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavecin		11	4	1	4	100%
		15	0	2	4	94%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavecin		11	4	1	4	100%
		15	0	2	4	94%
Alto		10	0	1	3	100%
Bass		11	0	2	4	100%
Soprano		8	0	0	2	100%
Ténor		11	0	1	3	100%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
Fagotto		24	0	8	5	93%
Viola.		23	0	8	8	93%
Violino II.		24	0	8	8	93%
Violino I.		28	0	9	8	91%
Oboe II.		19	0	6	8	79%
Flauto traverso II.		22	0	7	8	79%
Flauto traverso I.		23	0	7	8	78%
Oboe I.		21	0	7	8	78%
Tenore.		18	0	6	7	71%
Alto.		17	0	6	7	70%
Basso.		18	0	6	7	70%
Soprano		19	0	6	8	67%
		19	0	6	8	67%
Soprano.		19	0	6	8	67%
Tromba I.		12	0	1	8	34%
Tromba II.		11	0	1	5	29%
Tromba III.		7	0	0	5	28%
Timpani.		2	0	0	5	27%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
Continuo.		24	1	7	5	100%
Fagotti.		24	1	7	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		12	0	2	4	98%
Flauto traverso II. Oboe II.		11	0	2	5	98%
Oboe II.		11	0	2	5	98%
Violino II.		12	0	2	5	98%
Flauto traverso I. Oboe I.		14	0	3	4	93%
Oboe I.		14	0	3	4	93%
Soprano.		14	0	3	4	93%
Violino I.		14	0	3	4	93%
Violone.		22	0	7	5	93%
Basso.		19	0	6	4	91%
Tromba I.		9	0	1	5	43%
Tromba II.		9	0	1	5	30%
Timpani.		2	0	0	5	22%
Tromba III.		11	0	1	6	22%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		26	0	9	5	100%
Continuo II		26	0	9	5	100%
View all 23 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		26	0	9	5	100%
Continuo II		26	0	9	5	100%
Double Bass		32	0	9	5	100%
Violino I		27	0	9	7	97%
Viola		24	0	8	5	95%
Violino II		22	0	8	5	95%
Flauto traverso I		23	0	8	6	92%
Flauto traverso II		23	0	8	6	92%
Oboe I		22	0	7	7	90%
Oboe II		21	0	8	5	88%
Soprano		18	0	6	7	53%
		18	0	6	7	53%
		18	0	6	7	53%
Alto		16	0	5	7	52%
		16	0	5	7	52%
		16	0	5	7	52%
Tenore		19	0	6	5	51%
Bass		20	0	6	5	50%
Basso		20	0	6	5	50%
Tromba I		11	0	1	7	48%
Tromba II		12	0	1	5	39%
Tromba III		7	0	0	4	29%
Timpani		2	0	0	4	26%

13. Allein Gott in der Höh' sei Ehr', BWV 104.6. Cantate 104. Du Hirte Israel, höre.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
		16	0	2	4	100%
		16	0	2	4	100%
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Oboe		8	0	1	4	85%
Contrabass		10	0	1	2	50%

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